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The Sky is A Well
Claudia Smith

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"
My sins are folded into doves and
stars. I won't tell him what they are. I hope, buried beneath the
earth, they tangle up with the roots of the tree. I want them to stay
down there, get strangled by the roots and eaten by worms. One night, I
dreamt the doves came alive, tried to chirp, then suffocated. Evil,
dark, dank thoughts."
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Reviewed by Stefani Nellen
The
Sky Is A Well
and Other Shorts won the first Annual Rose Metal Press
Short-Short
Chapbook Contest. The beautiful cover and binding are designed by the
Museum of Printing. Contest judge Ron Carlson says in the introduction
that each of Claudia Smith's short-shorts is "a tilted memory of love
and loss."
Many stories are
told from the perspective of a child or adolescent confronted with
absent or unreliable parents, friends, and siblings. Often, the eerily
precise language captures a sense of fear and wonder often associated
with childhood-memories – or nightmares: The girl in Possum describes
life in her foster family, the gruesome tales about her predecessor and
false tokens of beauty such as left-over make-up and a ballerina with
painted-on shoes.
The
narrator
of Toads
witnesses her brother kill an exotic frog. Brother and sister
in The Sky Is A
Well bury their "sin" in a mysterious ritual. Ballerinas
and dolls reappear in this world of morbid games and intriguing details
(frozen pudding pops, icy cubes of urine, hanged dolls dangling from
tree branches) – an indication of the beauty permeating the
uneasy tales.
The
language is
always graceful and precise, abundant with unexpected word choices and
lines of dry wit reminiscent of Amy Hempel: "My prom date was gay. He
wore a beautifully fitted tux. We went bowling instead of doing it
afterwards." (I Tell I Don't Tell, p. 26.). These
moments of humor release the pressure created, at times, by the
collection's dark or "heavy" topics and the poetic density of the
language. As it is, The
Sky Is A Well is intriguing because it appears to be a
collection of well-written, bite-sized "pieces" at first, but
eventually turns out to have the resonance of a novel. Each story
implies a world beyond it, of which it offered only a glimpse. The
characters don’t stop existing after the "flash." I recommend
reading this collection more than once.
Stefani
Nellen is a psychologist-turned-writer who lives in the U.S. and the
Netherlands with her husband. She writes literary and science-fiction
stories. With Julia LaSalle, she co-edits the Steel City Review,
an online Quarterly that also appears as an annual print edition.
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Publisher: Rose Metal
Press
Publication Date:
2007
Paperback/Hardback? Chapbook
First
collection?: Yes
Awards: Rose
Metal Press Short-Short Chapbook Contest
Author
Bio:Claudia
Smith lives
in Austin, Texas, with her husband and son. She attended Bard College,
the University of Texas, and the Writing Seminars graduate program at
Johns Hopkins. Twice nominated for the Pushcart Prize, her fiction has
appeared in Redivider, The Mississippi
Review, Juked, Night Train, Elimae, Failbetter, Opium, and Word
Riot, among others. She is a contributing web editor for
Hobart. Her stories have been anthologized in Norton's New
Sudden Fiction: Short-short Stories from America and Beyond
and So New Media's Consumed: Women on Excess.
Read
an interview
with Claudia Smith
If
you liked this book you might also like....
Amy Hempel "The
Collected Stories"
Franz Kafka
"The Complete Stories"
Miranda July
"No-one Belongs Here More than You"
What other reviewers thought:
Seed
Cake
Bookslut
Goodreads
Hobart
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