DeborahSheldon.
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Deborah Sheldon lives in Melbourne, Australia and has been a professional writer for 24 years. Her television scriptwriting credits include State Coroner, Australia’s Most Wanted and Neighbours. She has also written features and non-fiction books. All the Little Things That We Lose is her first book of fiction.


Short Story Collections

All the Little Things That We Lose
(Skive Magazine Press, 2010)

reviewed by Elizabeth Rutherford-Johnson

Interview with Deborah Sheldon

The Short Review: How long did it take you to write all the stories in your collection?

Deborah Sheldon: About three years. During that time, I also wrote for the Better Health Channel website, and for various Australian and Australasian medical associations, among other paid gigs.

TSR: Did you have a collection in mind when you were writing them?

DS: Not at first, but then it dawned on me after about 20 pieces that the stories - although very different in terms of style, voice and mood - shared a common theme of loss.

TSR: How did you choose which stories to include and in what order?

DS: My publisher and I chose June 2009 as our cut-off date, so anything I wrote after that wasn't considered. I arranged the stories in the rough order in which they were written, but just to break things up a little, I shuffled flash fiction in between some of the longer pieces.

TSR: What does the word "story" mean to you?

DS: As a reader, I always approach a story with anticipation. I'm hoping for a captivating ride or an insight into what it means to be human. If I get both, then I'm a fan for life. For this reason, Annie Proulx is one of my favourite short story writers of all time. FX Toole is another. (And Hemingway too, but that probably goes without saying.)

TSR: Do you have a reader in mind when you write stories?

DS:  My husband. His reaction to my first draft is very important. He's not much of a reader so if I can hook him into a story, then I know I'm onto something.

TSR: Is there anything you'd like to ask someone who has read your collection, anything at all?

DS: Yes - did the stories stir up any strong feelings?

TSR: How does it feel knowing that people are buying your book?

DS: Wonderful!

TSR: What are you working on now?

DS: More short stories, naturally. My other professional credits include television scripts, so I'm trying to find markets for my screenplays and stage plays. Medical writing is also a staple.

TSR: What are the three most recent short story collections you've read?

DS: The Best Australian Stories 2008 edited by Delia Falconer; Ten Years of Things That Didn't Kill us edited by Daniel Watson et al; and, How it Ended by Jay McInerney. It's a good thing you didn't ask me which collections I'm planning on reading, because my bookshelves are bowing under the weight. I appreciate novels, of course, but short stories are closest to my heart.
 
                     
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Find out what other authors, from Aimee Bender to Sana Krasikov, said about their collections, what the word "story" means to them, and how it feels to know that people are buying your books! More interviews >>>