Eagleman.com

David Eagleman is a neuroscientist and a fiction writer.  During the day, he directs the Laboratory for Perception and Action and the Initiative on Neuroscience and Law at Baylor College of Medicine. He is best known for his work on time perception, synesthesia, and neurolaw.  At night, he is a fiction writer.  His debut work of fiction, Sum: Forty Tales from the Afterlives, became an international bestseller and is published in 22 languages.


Short Story Collections

Sum: Tales of the Afterlives
(Canongate Books, 2009)

reviewed by 
Daniela I. Norris

Interview with David Eagleman

The Short Review: How long did it take you to write all the stories in your collection?

DE: 7 years. It takes a surprisingly long time to write short.

TSR: Did you have a collection in mind when you were writing them?

DE: It began as a single idea and a single story. By the time I got to two, I realized it was a collection.

TSR: How did you choose which stories to include and in what order?

DE: I had originally written seventy six stories, but trimmed them down to the forty I felt could offer the best "mental stretch" in different directions.  The included stories largely reflect the order in which I wrote them over the years.

TSR: What does the word "story" mean to you?

DE:  Something that sets a stage and takes you somewhere you haven’t been before. The pieces in Sum quickly station you in a new, unexpected world and then lead you through to an unanticipated conclusion. These stories have an unusual structure in that they are mutually exclusive, and that the narrator is the second person singular (you). I think this aids in achieving the goal of story.

TSR: Do you have a reader in mind when you write stories?

DE:  As with all my writing, I selfishly write the story that I would most like to read - that is, the one I wish someone would write. I think this is true for many writers. It probably goes without saying that it’s a lost cause to try to write for what one perceives the market to be.

TSR: Is there anything you'd like to ask someone who has read your collection, anything at all?

DE: Do you feel mentally stretched? Good. Now: what would you make up as the 41st story?

TSR: How does it feel knowing that people are buying your book?

DE: It’s presumably similar to having a child move out of your house into a life of their own personal experiences. I hear back from a small fraction of readers on email, Twitter, or Facebook, but the vast majority of readers have experiences (and perhaps discussions with their friends) that I will never know about. It’s a great feeling, really.

TSR: What are you working on now?

DE: I have my next 5 books underway, covering (1) the subconscious brain (2) brain plasticity (3) Cognitive Neuroscience (textbook), (4) Why I am a Possibilian, the non-fiction follow-up to Sum, and (5) my next book of fiction, which takes place with a single narrator over 200 billion years. The first two will be out in 2010; the next three will leak out more slowly.

TSR: What are the three most recent short story collections you've read?

DE: Etgar Keret's The Bus Driver Who Wanted to be God; Italo Calvino's Cosmicomics and Michael Chabon's A Model World.
 
                     
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Find out what other authors, from Aimee Bender to Sana Krasikov, said about their collections, what the word "story" means to them, and how it feels to know that people are buying your books! More interviews >>>



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